![]() ![]() were absolutely hindered by their dependence on Ruff Ryders’ production. This is a solid body of work, but it illustrates why blind loyalty to one production team is most times a misstep. However, this wouldn’t be genuine without speaking on the knock of We Are The Streets. When you see me, don’t ask me nothin’ about usĪnd don’t definitely ask me nothin’ about ……. On the Jadakiss solo track, Blood Pressure, he warns fans and hip-hop journalists- in a much more hostile environment- not to ask him about his prior discrepancies with said record label. They threw shots at Diddy and the Bad Boys squad throughout the album, as the L.O.X. ![]() And, while the move may have made sense commercially, more importantly they were free to make the hardcore rap that they felt comfortable making. The group had just made a highly publicized leap from Bad Boy to Ruff Ryders during the year prior, driven by the legendary “Let The L.O.X. They were street dudes that felt more comfortable being themselves- they weren’t going to allow any number of Rod Stewart samples to conceal who they were. However, to much disappointment and despite the best efforts of Diddy and his Bad Boy army, the Yonkers natives never appeared to be comfortable embracing the flossy, commercial-driven Bad Boy universe. ![]()
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